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Pierre Renoir
French Impressionist Painter, 1841-1919 Pierre-Auguste Renoir (February 25, 1841?CDecember 3, 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau". Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings. His initial paintings show the influence of the colorism of Eugene Delacroix and the luminosity of Camille Corot. He also admired the realism of Gustave Courbet and Edouard Manet, and his early work resembles theirs in his use of black as a color. As well, Renoir admired Edgar Degas' sense of movement. Another painter Renoir greatly admired was the 18th century master François Boucher. A fine example of Renoir's early work, and evidence of the influence of Courbet's realism, is Diana, 1867. Ostensibly a mythological subject, the painting is a naturalistic studio work, the figure carefully observed, solidly modeled, and superimposed upon a contrived landscape. If the work is still a 'student' piece, already Renoir's heightened personal response to female sensuality is present. The model was Lise Tr??hot, then the artist's mistress and inspiration for a number of paintings. In the late 1860s, through the practice of painting light and water en plein air (in the open air), he and his friend Claude Monet discovered that the color of shadows is not brown or black, but the reflected color of the objects surrounding them. Several pairs of paintings exist in which Renoir and Monet, working side-by-side, depicted the same scenes (La Grenouill??re, 1869). One of the best known Impressionist works is Renoir's 1876 Dance at Le Moulin de la Galette (Le Bal au Moulin de la Galette). The painting depicts an open-air scene, crowded with people, at a popular dance garden on the Butte Montmartre, close to where he lived. On the Terrace, oil on canvas, 1881, Art Institute of ChicagoThe works of his early maturity were typically Impressionist snapshots of real life, full of sparkling colour and light. By the mid 1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women, such as The Bathers, which was created during 1884-87. It was a trip to Italy in 1881, when he saw works by Raphael and other Renaissance masters, that convinced him that he was on the wrong path, and for the next several years he painted in a more severe style, in an attempt to return to classicism. This is sometimes called his "Ingres period", as he concentrated on his drawing and emphasized the outlines of figures. After 1890, however, he changed direction again, returning to the use of thinly brushed color which dissolved outlines as in his earlier work. From this period onward he concentrated especially on monumental nudes and domestic scenes, fine examples of which are Girls at the Piano, 1892, and Grandes Baigneuses, 1918-19. The latter painting is the most typical and successful of Renoir's late, abundantly fleshed nudes. A prolific artist, he made several thousand paintings. The warm sensuality of Renoir's style made his paintings some of the most well-known and frequently-reproduced works in the history of art..

 

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Pierre Renoir Madame Renoir and her Son Pierre oil painting

Painting ID::  28782

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Pierre Renoir
Madame Renoir and her Son Pierre
1890 Oil on canvas 19 x 16 cm Paris Galerie Daniel Malingue (mk64)
   
   
     

 

 

Pierre Renoir Place de la Trinite oil painting

Painting ID::  28784

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Pierre Renoir
Place de la Trinite
paris 1875 Oil on canvas 50 x 62 cm Private collection (mk64)
   
   
     

 

 

Pierre Renoir Landscape at Beaulieu oil painting

Painting ID::  28785

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Pierre Renoir
Landscape at Beaulieu
c 1893 Oil on canvas 65.1 x 81 cm (mk64)
   
   
     

 

 

Pierre Renoir Algerian Woman Seated oil painting

Painting ID::  28787

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Pierre Renoir
Algerian Woman Seated
1882 Oil on canvas 55 x 46 cm Private collection (mk64)
   
   
     

 

 

Pierre Renoir The Mosque(Arab Festival) oil painting

Painting ID::  28788

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Pierre Renoir
The Mosque(Arab Festival)
1881 Oil on canvas 73 x 92 cm Paris Musee d'Orsay (mk64)
   
   
     

 

 

Pierre Renoir Woman in a Garden-Lise Trehot(Woman with a Segull Feather) oil painting

Painting ID::  28789

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Pierre Renoir
Woman in a Garden-Lise Trehot(Woman with a Segull Feather)
c 1868 Oil on canvas 106
   
   
     

 

 

Pierre Renoir Inthe St Cloud Park oil painting

Painting ID::  28808

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Pierre Renoir
Inthe St Cloud Park
1866 Oil on canvas 50 x 61 cm Private collection (mk64)
   
   
     

 

 

Pierre Renoir Snowy Landscape oil painting

Painting ID::  28809

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Pierre Renoir
Snowy Landscape
c 1875 Oil on canvas 50 x 65 cm Paris Musee de i'Orangerie (mk64)
   
   
     

 

 

Pierre Renoir The Toilette Woman Combing Her Hair oil painting

Painting ID::  28812

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Pierre Renoir
The Toilette Woman Combing Her Hair
ca 1907-1908 1'9 3/4'' x 1' 6 1/4''(55 x 46.5 cm)Bequest of Count Issaac de Camondo (mk64)
   
   
     

 

 

Pierre Renoir Gabrielle with a Rose oil painting

Painting ID::  28813

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Pierre Renoir
Gabrielle with a Rose
1911 1' 9 3/4 '' x 1' 6 1/2''(55.5 x 47 cm)Gift of Philippe Gangnat (mk64)
   
   
     

 

 

Pierre Renoir Seated Young Girl(Helene Bellon) oil painting

Painting ID::  28814

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Pierre Renoir
Seated Young Girl(Helene Bellon)
1909 2' 1 3/4'' x 1' 9 1/2'' (65.5 x 54.5 cm)Bequest of Count Isaac de Camondo
   
   
     

 

 

Pierre Renoir Woman with a Cat oil painting

Painting ID::  28816

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Pierre Renoir
Woman with a Cat
c 1875 Oil on canvas 56 x 46.4 cm Washington D C National Gallery of Afrt gift of Mr and Mrs Benjamin E Levy (mk64)
   
   
     

 

 

Pierre Renoir Female Nude in a Landscape oil painting

Painting ID::  28818

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Pierre Renoir
Female Nude in a Landscape
1883 Oil on canvas 65 x 55 cm Paris Musee de i'Orangerie (mk64)
   
   
     

 

 

Pierre Renoir Marthe Berard(Girl Wearing a Blue Sash) oil painting

Painting ID::  28820

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Pierre Renoir
Marthe Berard(Girl Wearing a Blue Sash)
1879 Oil on canvas 128 x 75 cm Sao Paulo Museu de Arte de Sao Paulo Assis Chateaubriand (mk64)
   
   
     

 

 

Pierre Renoir The Little Fisher Girl(Marthe Berard) oil painting

Painting ID::  28821

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Pierre Renoir
The Little Fisher Girl(Marthe Berard)
1879 Oil on canvas 61 x 46 cm Private collection (mk64)
   
   
     

 

 

Pierre Renoir Therse Berard oil painting

Painting ID::  28823

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Pierre Renoir
Therse Berard
1879 Oil on canvas 56 x 47 cm Williamstown Massa-Chusetts Sterling and Francine Clark Art Institure (mk64)
   
   
     

 

 

Pierre Renoir Studies of the Berard Children oil painting

Painting ID::  28824

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Pierre Renoir
Studies of the Berard Children
1881 Oil on canvas 62.6 x 82 cm Oil on canvas 62.6 x 82 cm Williamstown Massa-chusetts Sterling and Francine Clark Art Institute (mk64)
   
   
     

 

 

Pierre Renoir Alfred Berard and his Dog oil painting

Painting ID::  28826

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Pierre Renoir
Alfred Berard and his Dog
1881 Oil on canvas 65 x 51 cm Philadelphia Pennsylvania Philadelphia Museum of Art The Mr and Mrs Carroll S Tyson Collection (mk64)
   
   
     

 

 

Pierre Renoir Algerian Woman oil painting

Painting ID::  28827

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Pierre Renoir
Algerian Woman
1883 Oil on canvas 40 x 32 cm Private collection (mk64)
   
   
     

 

 

Pierre Renoir Female Semi-Nude oil painting

Painting ID::  28829

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Pierre Renoir
Female Semi-Nude
c 1908 Oil on canvas 65.5 x 53.5 cm Paris Private collection (mk64)
   
   
     

 

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Pierre Renoir
French Impressionist Painter, 1841-1919 Pierre-Auguste Renoir (February 25, 1841?CDecember 3, 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau". Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings. His initial paintings show the influence of the colorism of Eugene Delacroix and the luminosity of Camille Corot. He also admired the realism of Gustave Courbet and Edouard Manet, and his early work resembles theirs in his use of black as a color. As well, Renoir admired Edgar Degas' sense of movement. Another painter Renoir greatly admired was the 18th century master François Boucher. A fine example of Renoir's early work, and evidence of the influence of Courbet's realism, is Diana, 1867. Ostensibly a mythological subject, the painting is a naturalistic studio work, the figure carefully observed, solidly modeled, and superimposed upon a contrived landscape. If the work is still a 'student' piece, already Renoir's heightened personal response to female sensuality is present. The model was Lise Tr??hot, then the artist's mistress and inspiration for a number of paintings. In the late 1860s, through the practice of painting light and water en plein air (in the open air), he and his friend Claude Monet discovered that the color of shadows is not brown or black, but the reflected color of the objects surrounding them. Several pairs of paintings exist in which Renoir and Monet, working side-by-side, depicted the same scenes (La Grenouill??re, 1869). One of the best known Impressionist works is Renoir's 1876 Dance at Le Moulin de la Galette (Le Bal au Moulin de la Galette). The painting depicts an open-air scene, crowded with people, at a popular dance garden on the Butte Montmartre, close to where he lived. On the Terrace, oil on canvas, 1881, Art Institute of ChicagoThe works of his early maturity were typically Impressionist snapshots of real life, full of sparkling colour and light. By the mid 1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women, such as The Bathers, which was created during 1884-87. It was a trip to Italy in 1881, when he saw works by Raphael and other Renaissance masters, that convinced him that he was on the wrong path, and for the next several years he painted in a more severe style, in an attempt to return to classicism. This is sometimes called his "Ingres period", as he concentrated on his drawing and emphasized the outlines of figures. After 1890, however, he changed direction again, returning to the use of thinly brushed color which dissolved outlines as in his earlier work. From this period onward he concentrated especially on monumental nudes and domestic scenes, fine examples of which are Girls at the Piano, 1892, and Grandes Baigneuses, 1918-19. The latter painting is the most typical and successful of Renoir's late, abundantly fleshed nudes. A prolific artist, he made several thousand paintings. The warm sensuality of Renoir's style made his paintings some of the most well-known and frequently-reproduced works in the history of art..